Published: 14-06-2022

Articles

The functionality of aesthetic illusion and epistemic relativism in Grace Ogot’s The Strange Bride (1989)

Souleymane Diallo

1-15

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DOI: https://doi.org/10.58256/rjah.v3i2.816

The metatext of culture and the limits of translation in Ngũgĩ wa Thiongo’s Devil on the Cross (1982)

Nicholas Goro Kamau

16-27

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DOI: https://doi.org/10.58256/rjah.v3i2.825

Anthroponymy in Eastern Nilotic: A case of Turkana personal names

Susan Kinyua, David Barasa
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DOI: https://doi.org/10.58256/rjah.v3i2.843

A stylometric reading of William Wordsworth and W. B. Yeats’s poetry: Ambivalent cravings in romantic and modernist consciousness

David Toh Kusi

28-46

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DOI: https://doi.org/10.58256/rjah.v3i2.846

Matter and manner: A postcolonial reading of Nol Alembong’s The Passing Wind (1991)

Emmerencia Beh Sih, Nges Zillah Kimbeng

47-57

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DOI: https://doi.org/10.58256/rjah.v3i2.849