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Vol. 3 No. 2 (2022)
Published:
14-06-2022
Articles
The functionality of aesthetic illusion and epistemic relativism in Grace Ogot’s The Strange Bride (1989)
Souleymane Diallo
1-15
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DOI:
https://doi.org/10.58256/rjah.v3i2.816
The metatext of culture and the limits of translation in Ngũgĩ wa Thiongo’s Devil on the Cross (1982)
Nicholas Goro Kamau
16-27
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DOI:
https://doi.org/10.58256/rjah.v3i2.825
Anthroponymy in Eastern Nilotic: A case of Turkana personal names
Susan Kinyua, David Barasa
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DOI:
https://doi.org/10.58256/rjah.v3i2.843
A stylometric reading of William Wordsworth and W. B. Yeats’s poetry: Ambivalent cravings in romantic and modernist consciousness
David Toh Kusi
28-46
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DOI:
https://doi.org/10.58256/rjah.v3i2.846
Matter and manner: A postcolonial reading of Nol Alembong’s The Passing Wind (1991)
Emmerencia Beh Sih, Nges Zillah Kimbeng
47-57
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DOI:
https://doi.org/10.58256/rjah.v3i2.849