Hearing the Screen: How Jordanian Viewers with Visual Impairments Receive the Arabic Audio Description of a Netflix Series
Main Article Content
Abstract
Audio description (AD) turns the visual content of films and television into spoken words, yet little is known about how Arab viewers who are blind or partially sighted receive it. This study surveyed 152 Jordanians with visual impairments after they watched an audio-described excerpt of the Netflix series AlRawabi School for Girls (Madrast Al-Rawabi LilBanat), using a 15-item, five-point Likert questionnaire on viewing habits, technical quality, comprehension, attitude, and recommendations for future provision. Exploratory and confirmatory factor analyses supported four measured constructs (CFI = .941, RMSEA = .069, SRMR = .060), and the hypotheses were tested with a bootstrapped path model, moderation analysis, and group comparisons. Technical quality (β = .24) and comprehension (β = .30) each independently predicted attitude towards the service (R² = .23), and attitude was the strongest predictor of calls for wider provision (β = .39); both technical quality and comprehension influenced these calls indirectly through attitude. The comprehension–attitude link did not vary by gender, age, or education, and comprehension did not differ by degree of visual impairment, although older and more educated viewers rated technical quality lower. Almost all respondents wanted Arabic broadcasters to offer AD free of charge. The results inform describer training and accessibility policy in the Arab world.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This open-access article is distributed under a Creative Commons Attribution (CC-BY) 4.0 license.
You are free to: Share — copy and redistribute the material in any medium or format. Adapt — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms: Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
How to Cite
Share
References
Abdelaal, N. M. (2019). Subtitling of culture-bound terms: Strategies and quality assessment. Heliyon, 5(4), e01411. https://doi.org/10.1016/j.heliyon.2019.e01411
Abu-Rayyash, H., & Haider, A. S. (2022). Construction of a parallel corpus of English–Arabic movie subtitles: A genuine source for audiovisual translators. The International Journal of Humanities Education, 21(1), 21–37. https://doi.org/10.18848/2327-0063/CGP/v21i01/21-37
Abulawi, F., Al Salman, S., & Haider, A. S. (2022). Modern Standard Arabic vs. Egyptian vernacular in dubbing animated movies: A case study of A Bug's Life. The International Journal of Communication and Linguistic Studies, 21(1), 125–141. https://doi.org/10.18848/2327-7882/CGP/v21i01/125-141
Al-Abbas, L. S., & Haider, A. S. (2021). Using Modern Standard Arabic in subtitling Egyptian comedy movies for the deaf/hard of hearing. Cogent Arts & Humanities, 8(1), 1993597. https://doi.org/10.1080/23311983.2021.1993597
Al-Abbas, L. S., Haider, A. S., & Saideen, B. (2022). A quantitative analysis of the reactions of viewers with hearing impairment to the intralingual subtitling of Egyptian movies. Heliyon, 8(1), e08728. https://doi.org/10.1016/j.heliyon.2022.e08728
Al-Zgoul, O., & Al-Salman, S. (2022). Fansubbers' subtitling strategies of swear words from English into Arabic in the Bad Boys movies. Open Cultural Studies, 6(1), 199–217. https://doi.org/10.1515/culture-2022-0156
AlBkowr, N., & Haider, A. S. (2023). Subtitling for people with hearing impairments in the Arab world context: The case of the Blue Elephant 2 movie. Online Journal of Communication and Media Technologies, 13(4), e202347. https://doi.org/10.30935/ojcmt/13602
Alnatsheh, A. T. (2020). A contrastive study of two linguistic varieties of audio description: MSA vs. Qatari dialect [Master's thesis, Hamad Bin Khalifa University].
Arma, S. (2011). The language of filmic audio description: A corpus-based analysis of adjectives [Doctoral dissertation, Università degli Studi di Napoli Federico II].
Cerny, B. A., & Kaiser, H. F. (1977). A study of a measure of sampling adequacy for factor-analytic correlation matrices. Multivariate Behavioral Research, 12(1), 43–47. https://doi.org/10.1207/s15327906mbr1201_3
Cronbach, L. J. (1951). Coefficient alpha and the internal structure of tests. Psychometrika, 16(3), 297–334. https://doi.org/10.1007/BF02310555
Darwish, N. T., Haider, A. S., & Saed, H. (2023). Aspects of visual content covered in the audio description of Arabic series: A corpus-assisted study. Open Cultural Studies, 7(1), 20220174. https://doi.org/10.1515/culture-2022-0174
Díaz-Cintas, J., & Remael, A. (2014). Audiovisual translation: Subtitling. Routledge.
Fels, D. I., Udo, J. P., Diamond, J. E., & Diamond, J. I. (2006). A comparison of alternative narrative approaches to video description for animated comedy. Journal of Visual Impairment & Blindness, 100(5), 295–305.
Ghassan, H., & Haider, A. S. (2025). Partial intralingual subtitling as a means of understanding varieties of the same language: A case study of Syrian vernacular and Modern Standard Arabic. Ampersand, 14, 100219. https://doi.org/10.1016/j.amper.2025.100219
Haider, A. S. (2019a). The representation of Al-Megrahi's release in Arabic and English newspapers in 2009 and 2010: A corpus-assisted discourse study. Dirasat: Human and Social Sciences, 46(1, Suppl. 2), 297–317. https://doi.org/10.35516/0103-046-986-019
Haider, A. S. (2019b). Syrian–Lebanese relations: A corpus-based critical discourse analysis of Bashar Al-Assad's speeches and interviews. Dirasat: Human and Social Sciences, 46(4), 551–570. https://doi.org/10.35516/0103-046-004-040
Haider, A. S. (2019c). Using corpus linguistic techniques in (critical) discourse studies reduces but does not remove bias: Evidence from an Arabic corpus about refugees. Poznan Studies in Contemporary Linguistics, 55(1), 89–133. https://doi.org/10.1515/psicl-2019-0004
Haider, A. S. (2026a). AI as a language tutor: Jordanian university students' perceptions of AI-generated feedback on their English. Research Journal in Advanced Humanities, 7(4), 1–17.
Haider, A. S. (2026b). Trust in AI translation: Reception and adoption among Jordanian business professionals. Research Journal in Advanced Humanities, 7(4), 1–15.
Haider, A. S., Abu Tair, S., & Dagamseh, M. (2025). A qualitative analysis of body representation in Netflix audio descriptions. Training, Language and Culture, 9(2), 71–83. https://doi.org/10.22363/2521-442X-2025-9-2-71-83
Haider, A. S., Abu Tair, S., Obeidat, M. M., Saed, H., & Sahari, Y. (2024). Shaping the visually impaired perception of gender through Netflix audio description of movies and series. Lebende Sprachen, 69(2), 1–30. https://doi.org/10.1515/les-2023-0034
Haider, A. S., & Hussein, R. F. (2022). Modern Standard Arabic as a means of euphemism: A case study of the MSA intralingual subtitling of Jinn series. Journal of Intercultural Communication Research, 51(6), 628–643. https://doi.org/10.1080/17475759.2022.2106289
Haider, A. S., & Sahari, Y. (2026). Informing an inclusive digital accessibility tool for viewers with disabilities: Music description in Arabic and English SDH. Journal of Disability Research, 5(3), 20260837. https://doi.org/10.57197/jdr-2026-0837
Haider, A. S., Sahari, Y., Saed, H. A., & Abu Tair, S. (2025). Enhancing accessibility for Saudi deaf and hard-of-hearing audiences: Sound representation in SDH subtitling of Saudi series. Journal of Disability Research, 4(4), 20250648. https://doi.org/10.57197/jdr-2025-0648
Hair, J. F., Ringle, C. M., & Sarstedt, M. (2011). PLS-SEM: Indeed a silver bullet. Journal of Marketing Theory and Practice, 19(2), 139–152.
Hättich, A., & Schweizer, M. (2020). I hear what you see: Effects of audio description used in a cinema on immersion and enjoyment in blind and visually impaired people. British Journal of Visual Impairment, 38(3), 284–298.
Henseler, J., Ringle, C. M., & Sarstedt, M. (2015). A new criterion for assessing discriminant validity in variance-based structural equation modeling. Journal of the Academy of Marketing Science, 43(1), 115–135. https://doi.org/10.1007/s11747-014-0403-8
Horn, J. L. (1965). A rationale and test for the number of factors in factor analysis. Psychometrika, 30(2), 179–185. https://doi.org/10.1007/BF02289447
Hu, L., & Bentler, P. M. (1999). Cutoff criteria for fit indexes in covariance structure analysis: Conventional criteria versus new alternatives. Structural Equation Modeling: A Multidisciplinary Journal, 6(1), 1–55.
Hyks, V. (2005). Audio description and translation: Two related but different skills. Translating Today, 4, 6–8.
Jakobson, R. (2013). On linguistic aspects of translation. In R. A. Brower (Ed.), On translation (pp. 232–239). Harvard University Press.
Jarrah, S., Al-Salman, S., & Haider, A. S. (2023). Video games localization into Arabic: Gamers' reactions to localizing PUBG and Free Fire. Journal of Social Computing, 4(1), 74–93. https://doi.org/10.23919/JSC.2023.0004
Karantzi, I. (2020). "Feeling" the audio description: A reception perspective. Bridge: Trends and Traditions in Translation and Interpreting Studies, 1(1), 39–65.
Khoshsaligheh, M., Shokoohmand, F., & Delnavaz, F. (2022). Persian audio description quality of feature films in Iran: The case of Sevina. International Journal of Society, Culture & Language, 10(3). https://doi.org/10.22034/ijscl.2022.552176.2618
Mazur, I. (2020). Audio description: Concepts, theories and research approaches. In Ł. Bogucki & M. Deckert (Eds.), The Palgrave handbook of audiovisual translation and media accessibility (pp. 227–247). Palgrave Macmillan.
Newmark, P. (1987). A textbook of translation. Prentice-Hall International.
Nunnally, J. C. (1978). Psychometric theory (2nd ed.). McGraw-Hill.
Piety, P. J. (2004). The language system of audio description: An investigation as a discursive process. Journal of Visual Impairment & Blindness, 98(8), 453–469.
Preacher, K. J., & Hayes, A. F. (2008). Asymptotic and resampling strategies for assessing and comparing indirect effects in multiple mediator models. Behavior Research Methods, 40(3), 879–891. https://doi.org/10.3758/BRM.40.3.879
Sadowska, A. (2015). Learning English vocabulary from film audio description: A case of Polish sighted students. Roczniki Humanistyczne, 63(11), 101–123.
Said, E. (2020). Into the language of audio description: Compilation of an English-Arabic AD glossary [Master's thesis, Hamad Bin Khalifa University].
Schmeidler, E., & Kirchner, C. (2001). Adding audio description: Does it make a difference? Journal of Visual Impairment & Blindness, 95(4), 197–212.
Snyder, J. (2005). Audio description: The visual made verbal. In J. Díaz-Cintas (Ed.), The didactics of audiovisual translation (pp. 15–17). John Benjamins.
Torop, P. (2003). Intersemiosis and intersemiotic translation. In S. Petrilli (Ed.), Translation translation (pp. 271–282). Rodopi.
Utray, F., Pereira, A. M., & Orero, P. (2009). The present and future of audio description and subtitling for the deaf and hard of hearing in Spain. Meta, 54(2), 248–263.
Vermeulen, A., & Ibáñez Moreno, A. (2017). Audio description as a tool to enhance intercultural competence. In J. Deconinck, P. Humblé, A. Sepp, & H. Stengers (Eds.), Transcultural competence in translation pedagogy (pp. 133–156). LIT Verlag.
Walczak, A. (2017). Measuring immersion in audio description with Polish blind and visually impaired audiences. Rivista Internazionale di Tecnica della Traduzione, 19, 33–48.
Zengin Temirbek uulu, Z., Sağın-Şimşek, Ç., & Antonova-Ünlü, E. (2021). The effect of audio description on film comprehension of individuals with visual impairment: A case study in Turkey. British Journal of Visual Impairment. https://doi.org/10.1177/02646196211020058