Published: 2023-03-03

Articles

Interweaving of Melodies: Convergence of Divergent Voices in Ngugi Wa Thiongo’s Devil on the Cross (1980)

Andrew Nyongesa
DOI: https://doi.org/10.58256/hjlcs.v5i1.1045

Marginality, subversion and the performativity of declining masculinity in selected Kenyan feature films by women filmmakers

Gloria Kemunto Mokaya, Charles Kebaya, Larry Ndivo

1-13

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DOI: https://doi.org/10.58256/hjlcs.v5i1.1067

Feminism as a tool for social engineering and change in Akachi Adimora-Ezeigbo’s Children of the Eagle (2002)

Leah Iliya Jalo
DOI: https://doi.org/10.58256/hjlcs.v5i1.1172

Perspectives on law and justice depicted in Muroki Ndung’u’s A Friend of the Court (1994)

Japheth Langat, Selline Oketch, Diana Mutuku
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DOI: https://doi.org/10.58256/hjlcs.v5i1.1278

Analysis of three novels as representative models of Kenyan Literature’s suitability for filmic adaptation

Elias Herbert Mutendei Nabutete, Selline Oketch, Caroline Kimathi
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DOI: https://doi.org/10.58256/hjlcs.v5i1.1280