Representation of the Big Man Typology in The Rise and Fall of Idi Amin
Main Article Content
Abstract
This article interrogates the figurative representation of the Big Man typology in the film The Rise and Fall of Idi Amin. Using textual analysis, the paper examines how the film director grapples with the reproduction and portrayal of the Big Man within the African context. The article establishes that there are several figurative ways in which the Big Man is depicted in the film such as through the use of metaphor, metonymy and heteroglossia. The paper also established that Big Man’s mannerisms are not only pervasive but also replicated in his cronies. The article contends that the Big Man syndrome is a teething problem afflicting governance in African countries.
Downloads
Article Details
This open-access article is distributed under a Creative Commons Attribution (CC-BY-NC-SA) license.
You are free to: Share — copy and redistribute the material in any medium or format.
Adapt — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.