Published: 2020-12-09

Articles

The centre replies the empire: Post-Postcolonial perspectives on the historicity of Post-Independence Malawian leadership in Paul Theroux’s The Lower River

Eyoh Etim, Emmanuel Omobowale
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DOI: https://doi.org/10.58256/hjlcs.v2i4.364

Aesthetics of Ghanaian indigenous children's play songs

Alberta Aseye Ama Duhoe, Florence Otibua

44-58

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DOI: https://doi.org/10.58256/hjlcs.v2i4.399

A stylistics analysis of Maya Angelou’s “I Know Why the Caged Bird Sings” and “Equality”

Emmerencia Beh Sih

25-43

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DOI: https://doi.org/10.58256/hjlcs.v2i4.436

The politics of the popular: Definitions and uses of African popular fiction

Spes Nibafasha

59-75

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DOI: https://doi.org/10.58256/hjlcs.v2i4.482

Construction of AbaGusii cultural image and identity in Christopher Monyoncho's popular poetry: The Prevalent Theme of Marriage Blues

Alfred Nyamwange, Evans Nyamwaka, Eucabeth Mongare, Augustine Agwuele

76-94

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DOI: https://doi.org/10.58256/hjlcs.v2i4.483