Big players, small victims: Capitalism and the child character in Nuruddin Farah’s Third Trilogy
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Abstract
All of Nuruddin Farah’s thirteen novels are centred on adult protagonists which, as reflected in critical material on his works, illustrate recurring thematic issues connected to nationalism, dictatorship, culture, religion, gender, and on issues that directly touch on the central characters such as subjectivity, identity, individualism among others. The child character does not only suffer marginalization in the hands of the critic but s/he is represented in the whole trilogy as a mere pawn caught up between crossfires of the big, international capitalist players. This paper, explores the position of the child character in Farah’s trilogy; The Past Imperfect, comprising Links (2003), Knots (2007) and Crossbones (2011). It interrogates the marginal spaces occupied by the child in the postcolonial discourse revolving around and driven by patronizing agencies of global economy. It operates on the hypothesis that Farah nuances this power play as the artery in fuelling and sustaining the political turbulence in imagined Somalia’s political contours.
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References
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