Stasis and Lachrymation in Postcolonial African Poetry: A Contextual Reading of Isaac Shuaibu’s This Country of Ours: A Collection of Poems

Main Article Content

Akwu Sunday Victor
Abdulmalik Mohammed D.

Abstract

Poetry has over the years become a vehicle in Nigeria for the expression of the grim historical past which was darkened by cataclysmic events such as slave trade, colonialism, imperialism and the devastation of the Nigerian cultural heritage and social ethos. In the post-colonial era, the poet becomes lachrymal and the lachrymator is but the bad political system and leaders, corruption, capitalism and stasis as a function of the degeneration of socio-political and cultural systems and structures. Lamentation, thus, becomes a dominant theme of postcolonial Nigerian poetry. To this end, this paper seeks to investigate into the presence of lachrymation in the work in focus. It is noted that, there are two levels of lamentation: The poet laments the degeneration of his society using poetry as a medium and the disillusionment of the people in the society which provokes the poetic impulse. It is concluded that, stasis is a major aspect of the postcolonial Nigeria and since there is a massive decline in the standard of living of the people, poets have taken to lamentation as a means of protest and calling the attention of the world and the people to the cancerous growth eating into the socio-political and cultural systems.

Downloads

Download data is not yet available.

Article Details

How to Cite
Victor, A. S., & Mohammed D., A. (2020). Stasis and Lachrymation in Postcolonial African Poetry: A Contextual Reading of Isaac Shuaibu’s This Country of Ours: A Collection of Poems. Nairobi Journal of Humanities and Social Sciences, 1(2). https://doi.org/10.58256/njhs.v1i2.98
Section
Articles

How to Cite

Victor, A. S., & Mohammed D., A. (2020). Stasis and Lachrymation in Postcolonial African Poetry: A Contextual Reading of Isaac Shuaibu’s This Country of Ours: A Collection of Poems. Nairobi Journal of Humanities and Social Sciences, 1(2). https://doi.org/10.58256/njhs.v1i2.98

References

“1897: How Nigeria Gets its Name.” http://www.naijablog.co.uk/2009/04/1897-nigeria-gets-its-name.html.accessed 10/8/2015.

“Flashback: Independence Day Speech by Abubakar Tafawa Balewa.”https://www.thecable.ng/fi le-1960-independence-day-speech.accessed 10/8/2015.

Bamidele, ‘Dele. & Akwu, Victor.“Bourgeois Politics and Ideology in Vincent Egbuson’s Womandela.”ONA: Journal of English Language & Literature. VOL2. 2014, 50 – 61.

Chukwu, Dan. An Introduction to Nigerian Political History. Enugu: His Glory Publication, 2007.

Idoko, Okpanachi. “Terrorists’ Activities in Nigeria and National Development.”ANYIGBA: Journal of Arts and Humanities. VOL. 13. NO. 2. 2013, 83 – 96.

Jude, Agho. “The Audacity of Hope in the Novels of Joseph Edoki.”ONA: Journal of English Language & Literature. VOL2. 2014, 1 – 10.

Kehinde, Ayo. “Post-Independence Disillusionment in Contemporary African Fiction: The Example of MejaMweangi’sKill Me Quick.”Nordic Journal of African Studies 13 (2) 228 – 241 (2004).

Okey Ndibe. “Abba Moro and the War on the Poor. http://saharareporters.com/2014/03/26/abba-moro-and-war-poor

Okey Ndibe. Again, A Case of Uncounted Billions.” http://saharareporters.com/2014/02/11/agai n-case-uncounted-billions-okey-ndibe

Okigbo, Christopher. “Okigbo: An Introduction by Chimamanda Ngozi Adichie.” Labyrinths.England: Pearson Education Ltd, 2011.

“Radio Broadcast by Major Chukwuma Kaduna Nzeogwu –Announcing Nigeria’s first Military Coup on Radio Kaduna on January 15, 1966.” http://vanguardngr.com/2010 /09/radio-broadcast-by-major-chukwuma-kaduna-nzeogwu-announcing-nigeria’s-first- military-coup-on-radio-nigeria-kaduna-on-january-15-1966/

SesanAzeez. “Literature, History and Politics in Africa.”ANYANGBA: Journal of Arts and Humanities. VOL. 13. NO. 2. 2013. 115 – 129