Research Journal in Modern Languages and Literatures <p style="text-align: justify;"><strong>Research Journal in Modern Languages and Literatures</strong> is a leading interdisciplinary peer-reviewed journal that publishes original research works across the breadths of Literatures and Languages. The journal has a mission to make research and knowledge accessible to all; authors, therefore, benefit from high visibility and readership for their work. The journal's broad aims and scope allow researchers to explore interconnected subject areas. Each article on this particular issue has been evaluated on its own scholarly merit and research integrity, and our expert academic editors take an objective and constructive approach to peer review.&nbsp;</p> Royallite Global en-US Research Journal in Modern Languages and Literatures 2709-4316 <p class="copyright-statement">This open-access article is distributed under a Creative Commons Attribution (CC-BY) 4.0 license.</p> <p class="licensing"><strong>You are free to:</strong> </p> <p class="licensing"><strong>Share</strong> — copy and redistribute the material in any medium or format.</p> <p class="licensing"><strong>Adapt</strong> — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms. </p> <p class="licensing"><strong>Under the following terms:</strong> Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. </p> <p class="licensing"><strong>No additional restrictions:</strong> You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.</p> Interface between gender myths and history in Margaret Ogola’s The River and the Source (1994) and Marjorie Macgoye’s Coming to Birth (1986) <p>Culture is central to the understanding of gender relations. Yet, studies have not examined how history (as myth or its product) influences our perception of gender relations. This paper investigates how myth, as a function of language, constructs history. It specifically explains how myth is used to construct and determine gender through a close reading and textual analysis of Margaret Ogola’s <em>The River and the Source </em>and Marjorie Macgoye’s <em>Coming to Birth</em>. The discussion is guided by Roland Barthes’ conceptualization of mythology and Judith Butler’s ideas on definition and cultural construction of gender and power, as well as authority in performance of gender. Findings showed that Ogola and Macgoye situate their fiction within the history and culture of the Luo people, who have traditional myths and legends that explain their existence. They invent characters and events that correspond to history, despite not being historical in themselves. The authors thus portray Africa as a rich combination of myth and history, their major characters embodying the essence of history, or battling it, or somehow relating with it through fantasy. In so doing, the authors engage in gender discourses, challenging patriarchy while highlighting the milestones achieved by women in time.</p> Lily C Salat Peter Amuka Christopher Joseph Odhiambo Copyright (c) 2022 Lily C. Salat, Peter S. O. Amuka, Christopher J. Odhiambo 2022-11-27 2022-11-27 3 2 10.58256/jmll.v3i2.938